Voice and Obsession: A Rhetoric of Anonymity in The Revenger’s Tragedy (1607)

Karl Toepfer
A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler, The Russian Art of Movement 1920-1930, page 211. My essay on “The Revenger’s Tragedy” makes no reference to this image, which merely evokes the sinister mood of the play and my essay.

Voice and Obsession (PDF)

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Published by Karl Toepfer

1 thought on “Voice and Obsession: A Rhetoric of Anonymity in The Revenger’s Tragedy (1607)”

  1. Pingback: Marche Fúnebre, 1921 – un regard oblique

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