Voice and Obsession: A Rhetoric of Anonymity in The Revenger’s Tragedy (1607)

Karl Toepfer
A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler, The Russian Art of Movement 1920-1930, page 211. My essay on “The Revenger’s Tragedy” makes no reference to this image, which merely evokes the sinister mood of the play and my essay.

Voice and Obsession (PDF)

tourneur-3Download

Published by Karl Toepfer

1 thought on “Voice and Obsession: A Rhetoric of Anonymity in The Revenger’s Tragedy (1607)”

  1. Pingback: Marche Fúnebre, 1921 – un regard oblique

Leave a Reply

Fill in your details below or click an icon to log in:

Gravatar
WordPress.com Logo

You are commenting using your WordPress.com account. ( Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. ( Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. ( Log Out /  Change )

Cancel

Connecting to %s